“My paintings explore the concept of unconnected details and the nuanced simplicity of constructing a subject while navigating the space between detail and obscurity through paint. As I began working on these paintings, I contemplated the implications of relocating these scenes into the realm of art and critique. Nostalgia frequently arises in discussions of my work; however, I aim to avoid generalizing experiences and comfort. I value storytelling and aspire to create work that communicates a lived experience.

The process of mixing paint is as integral to my practice as applying it to the canvas. While working with residential environments and natural spaces, my relationship with nature is laid bare. I am drawn to grays and browns, and I strive to explore every shade of color that I use for a subject. Adhering to a familiar palette enables me to render my work confidently, allowing my presence to be felt. I believe that as long as my approach feels authentic, I cannot fail at truly representing something. In the past five years I have come to accept that certain aspects of my approach to surfing, which previously made me feel insecure, have persisted. Instead, I can now confidently maneuver in a way that is uniquely my own.

I see a parallel between this and my painting: I embrace the colors, strokes, and compositions that feel natural to me. Rather than forcing a palette that may be more accurate to the subject, I lean towards what complements my response to it. When mixing paint, I often start by attempting to match a color, but during the process, I discover different tones that allow me to freely construct the image as I see fit. This process is not only important stylistically but also in conveying the emotionality of the work, blurring the lines between details and evoking the process of recalling a moment.”

-Arthur Wechsler